Los títeres en la Bolivia de hoy

Authors

  • Grober Loredo Teatro de Títeres Elwaky (Bolivia)

DOI:

https://doi.org/10.5965/2595034702112013054

Abstract

Lo que de Bolivia se conoce en los países vecinos y aun a nivel mundial es su permanente conflictividad social y política. Al margen de los hechos noticiables
(bloqueo de caminos, golpes militares, pobreza, narcotráfico), son poco conocidas
las raíces de dichos conflictos, que tienen profundas causas sociales y culturales. El
presente trabajo nos otorga una mirada sintética, pero comprensible, del proceso histórico y social de dicho país. En dicho contexto, aborda la situación de las expresiones artísticas en general y – de manera particular – hace un recorrido histórico del desarrollo de los títeres. Finalmente, a partir de la experiencia de Títeres Elwaky, presenta un panorama de los títeres en la Bolivia de hoy.


Palabras-clave: Teatro de Títeres. Títeres en Bolívia. Títeres Elwaky.

Downloads

Download data is not yet available.

Author Biography

Grober Loredo, Teatro de Títeres Elwaky (Bolivia)

Diretor teatral e sociólogo. Fundador e animador do Centro Popular de Arte e Cultura (1980 - 1987); e de programas
de desenvolvimento social e econômico (1987 – 2001). Produz e apresenta programas de rádio sobre arte e cultura. Preside o Instituto Boliviano de Arte – IBART, desde 2011. Funda em 2002, em Cochabamba, o Teatro de Títeres Elwaky e até hoje é seu diretor.

Downloads

Published

2018-03-27

How to Cite

LOREDO, Grober. Los títeres en la Bolivia de hoy. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 2, n. 11, p. 054–067, 2018. DOI: 10.5965/2595034702112013054. Disponível em: https://periodicos.udesc.br/index.php/moin/article/view/1059652595034702112013054. Acesso em: 17 jul. 2024.

Issue

Vol. 2 No. 11 (2013): Teatro de Títeres na América Latina

Section

Artigos fora do Dossier Temático

License

The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.

The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:

“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"

Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.

This journal uses Creative Commons Attribution Licence– (CC BY 4.0).