Polichinela, arquetipo y mito

Authors

  • Toni Rumbau La Fanfarra - Barcelona

DOI:

https://doi.org/10.5965/2595034701152016128

Abstract

El estudio presenta una especie de diáspora de importantes personajes del teatro de títeres en Europa. El Polichinela italiano es el punto de partida. París tuvo a Polichinelle, Londres a Punch, las ciudades alemanas a Kasperl o Kaspar, Moscú y San Petesburgo a Petrushka, Copenhague a Mester Jakel, Ámsterdam a Jan Klaassen, Budapest a Vitez Lazlo, Bucarest a Vasilache, Praga a Kasparec, Lyon a Guignol, Turín
a Gianduja, Bérgamo a Gioppino, Barcelona a Titella, Madrid a Don Cristóbal Polichinela, ciudades portuguesas como Oporto y Lisboa a Don Roberto, por sólo citar a los más conocidos. El artículo analiza el nacimiento y la vida de estos personajes en el contexto de los periodos renacentista y barroco y posteriormente de la Revolución Francesa y las Guerras Napoleónicas. Cierra con una mirada sobre estos personajes
en el siglo XXI.

Palabras-cave: Teatro de Títeres. Polchinela. Mito. Arquetipos.

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Author Biography

Toni Rumbau, La Fanfarra - Barcelona

Ator, titeriteiro, diretor teatral, licenciado em Literatura
e Língua Espanhola pela Universidade de Barcelona. Em 1976, fundou a Companhia La Fanfarra, juntamente com Mariona Masgrau e Eugenio Navarro. Foi editor da Revista Malic, (1984–2002). É autor de óperas, novelas e ensaios e editor da Revista Titeresante.
www.tonirumbau.org www.titeresante.es

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Published

2018-03-06

How to Cite

RUMBAU, Toni. Polichinela, arquetipo y mito. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 15, p. 128–152, 2018. DOI: 10.5965/2595034701152016128. Disponível em: https://periodicos.udesc.br/index.php/moin/article/view/1059652595034701152016128. Acesso em: 22 nov. 2024.

Issue

Vol. 1 No. 15 (2016): Teatro de Bonecos – patrimônio cultural imaterial

Section

Artigos fora do Dossier Temático

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