Ojos grandes, miradas peninsulares

Authors

  • Yudd Favier Universidad de las Artes – La Habana (Cuba)

DOI:

https://doi.org/10.5965/2595034701122014161

Abstract

Para caracterizar de forma general el diseño contemporáneo de títeres en Cuba, existen dos tendencias definidas: la de los espectáculos con técnicas más simples como el guante y el marotte, en los que el propio titiritero es attrezzista y diseñador de las figuras y las escenografías, y la marcada por el estilo particular de diseñadores profesionales vinculados al teatro titiritero, que explora más posibilidades técnicas y de expresión. Una fisonomía recurrente del muñeco cubano es la de cabezas sobredimensionadas con respecto al resto del cuerpo y un énfasis en la expresión de los ojos, mientras un dibujo claramente figurativo, casi descriptivo, caracteriza a los personajes y las ambientaciones.

Palabras-clave: Títere de guante. Fisonomías recurrentes. Estéticas particulares.

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Author Biography

Yudd Favier, Universidad de las Artes – La Habana (Cuba)

Critica teatral, ensaista, licenciada em Arte Teatral na especialidade de Teatrologia pela Universidad de las Artes – Cuba (2004). Desde 2005, atua como especialista em teatro para criancas e teatro de bonecos no Conselho Nacional de Artes Cenicas. Professora assistente no Instituto Superior de Arte (ISA); museologa do El Arca, Teatro – Museu de Titeres e assessora teatral do Grupo ali radicado. E membro da Union de Escritores y Artistas de Cuba (Uneac) e do Centro Unima-Cuba.

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Published

2018-03-22

How to Cite

FAVIER, Yudd. Ojos grandes, miradas peninsulares. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 12, p. 161–175, 2018. DOI: 10.5965/2595034701122014161. Disponível em: https://periodicos.udesc.br/index.php/moin/article/view/1059652595034701122014161. Acesso em: 22 nov. 2024.

Issue

Vol. 1 No. 12 (2014): Visualidades no Teatro de Formas Animadas

Section

Artigos fora do Dossier Temático

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