Fragiles territoires de l’humain

Authors

  • Didier Plassard Université Paul Valéry – Montpellier (França)

DOI:

https://doi.org/10.5965/2595034701122014028

Abstract

Based on the observation of Bernard Dort and the work of Didier-Georges Gabily, Tadeusz Kantor and Valère Novarina this article discusses the specificity of theater production as critical action capable of providing alternatives to the models produced and promoted by the entertainment industry. To do so, it analyzes phenomenon that locate the stage as a space of emergence, transformation and disappearance of the actor’s body. Upon investigating the exploration of different registers of presence and
embodiment of fictions, it also discusses the materialization of the dual incarnation of the actor and the encounter between the actor and his simulacrum as a potential crisis
that is capable of deconstructing the media representations of man.


Keywords: Contemporary theater. Presences. Simulacrums.

Downloads

Download data is not yet available.

Author Biography

Didier Plassard, Université Paul Valéry – Montpellier (França)

Doutor em Estudos Teatrais e professor na Université Paul Valéry – Montpellier III, França. Trabalha no Départament des Arts du Spetacle. Pesquisa teatro moderno e contemporâneo, as relações do teatro com as outras artes, teatro de marionetes e novas tecnologias. Autor de Les Mais de Lumière. Anthologie des Écrits sur L’art de la Marionnette (1996) e L’acteur en Effigie (1992). Atualmente, é editor da Revista Puck – le Marionnette et les autres arts, do Instituto Internacional da Marionete, de Charleville-Mézières – França.

Downloads

Published

2018-03-22 — Updated on 2020-09-01

Versions

How to Cite

PLASSARD, Didier. Fragiles territoires de l’humain. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 12, p. 028–035, 2020. DOI: 10.5965/2595034701122014028. Disponível em: https://periodicos.udesc.br/index.php/moin/article/view/1059652595034701122014028. Acesso em: 25 nov. 2024.

Issue

Vol. 1 No. 12 (2014): Visualidades no Teatro de Formas Animadas

Section

Artigos fora do Dossier Temático

License

Copyright (c) 2018 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The readers are free to transfer, print and use the articles published in the Magazine, as long as there’s explicit mention to the author(s) and to Móin-Móin Magazine - Studies in Theater of Animated Forms and there are no changes on the original work. Any other use of the texts needs to be approved by the author(s) and the Magazine. In submitting an article to Móin-Móin Magazine - Studies in Theater of Animated Forms and have it approved, the author(s) agree to give away, without payments, the following rights to the Magazine: first publishing rights and the license for the Magazine to redistribute this article and its metadata to index and reference services that the editors consider appropriate.

The articles whose author(s) are identified represent the author’s point of view and not the official position of Móin-Móin Magazine. The author(s) commit to always mention the publication in the following way when publishing work in reference to the article published in Móin-Móin Magazine:

“This article was originally published by Móin-Móin Magazine volume (insert the volume), number (insert the number), in the year of (insert year) and can be accessed on: http://www.revistas.udesc.br/index.php/móin"

Plagiarism in any way constitutes an unethical publishing behavior and is unacceptable. Móin-Móin Magazine holds the right to use software or other plagiarism tracking methods to scan the submitted works.

This journal uses Creative Commons Attribution Licence– (CC BY 4.0).