Dramaturgia, lenguaje……. acción.

Authors

  • Miguel Oyarzún Pérez Teatro El Chonchón – Córdoba (Argentina)

DOI:

https://doi.org/10.5965/2595034701082011107

Abstract

Considero que el lenguaje de la acción en el teatro de títeres, es lo mas relevante. La dramaturgia debe nutrirse de la acción bien resuelta, clarificando los entendimientos del espectador. El hecho artístico estará resuelto para nacer y diseminarse por el teatro, el aula, la plaza y cualquier lugar imaginable donde se representen las obras de títeres.

Palabras-clave: Dramaturgia; “dramaticaturgia”; El Chónchon.

Abstract: I maintain that action is the most important language in puppet theatre. Dramaturgy must be fed with well resolved action, to clarify the spectator’s understanding. The artistic act is ready to be borne and disseminate to the theatre, the classroom, the public square and any place imaginable where puppet theatre is presented. 

Keywords: Dramaturgy; “dramatictury”; El Chónchon.

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Author Biography

Miguel Oyarzún Pérez, Teatro El Chonchón – Córdoba (Argentina)

Artista plástico, con formación actoral, también director, pero por sobre todo Titiritero. En 1967 se inicia con los títeres, es el creador del grupo de muñecos animados EL Chonchón de Córdoba, Argentina, con el que ha participado, junto a Carlos Piñero, en diversos festivales internacionales por las Américas y Europa.

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Published

2018-04-03

How to Cite

PÉREZ, Miguel Oyarzún. Dramaturgia, lenguaje……. acción. Móin-Móin Magazine - Studies in the Art of Puppetry, Florianópolis, v. 1, n. 08, p. 107–117, 2018. DOI: 10.5965/2595034701082011107. Disponível em: https://periodicos.udesc.br/index.php/moin/article/view/1059652595034701082011107. Acesso em: 30 jun. 2024.

Issue

Vol. 1 No. 08 (2011): Dramaturgias no Teatro de Formas Animadas

Section

Artigos fora do Dossier Temático

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