O dispositivo de memória de Aldo Beck
DOI:
https://doi.org/10.5965/1808312912192017044Abstract
Através da leitura da obra “Vista da cidade” de 1970, do artista catarinense
Aldo Beck, o presente texto pretende analisar os aspectos visuais, contextuais e semânticos que circundam a obra em questão. Tomando como base de sua poética
a representação da paisagem e utilizando-se de alguns artifícios considerados “contemporâneos”, Aldo Beck colaborou para a construção da memória visual de
sua cidade natal, Florianópolis, e nos possibilitou olhar para sua obra a partir de novas interlocuções de saber.
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