Words-images-words: a methodological path for teaching art

Authors

DOI:

https://doi.org/10.5965/244712671012024013

Keywords:

teaching, memory, teaching visual arts, words-images-words

Abstract

The first-person narrative is how to write this research, not in a personalized first person, but beyond my experiences related to my experiences. Carrying out this research involves my understanding of teaching, when I report experiences that did not distance me as an observer of this world and I situated myself as living in a place that I consider to be lands-landscapes-lands. Places embraced by the anxieties of research, of teaching, surrounded by absences, emptiness, doubts and uncertainties that are not just my characteristics, but that can be born in the encounter with the readers of this research. I explain how I create metaphors to make clear what I understand and how to think about words and images such as land and landscapes. Teaching and student experiences are lands that are taken to other spaces where they are given new meaning in places that will soon transform. I understand with Tuan (1983) that these spaces and places are not just surrounding geopolitical factors and I share the idea of social, historical and cultural living with the subjectivities of each individual. I refer to my encounter with texts that showed me how I create and appropriate words from words-images-words in a contemporary teaching perspective. In these reflective moments discovered with Magritte, in Foucault’s text (1988), through the system of verbal and visual representation in search of similarities and similarities, with Beck (2004) that the system of meanings proposes a path to possible thought. And in dialogue with Didi-Huberman (2010) I understood a little more about the interaction with the image. Thus, the proposal presented in this research presents a methodological path to think about teaching art with words-images-words.

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Author Biographies

Lara Maria de Melo Dias, Instituto Federal de Goiás

Mestra em Artes pelo programa de Mestrado Profissional em Artes-ProfArtes no Instituto Federal de Goiás-(IFG-GO). Atua como professora de Arte na Secretaria de Educação do Estado do Distrito Federal (SEEDF). Como pesquisa, transita pela compreensão da apropriação de palavras para aguçar memórias no ensino de artes visuais e poéticas visuais individuais. 

 

Valéria Fabiane Braga Ferreira Cabral, Federal University of Goiás

Doutora em Arte e Cultura Visual pelo Programa de Pós-Graduação em Arte e Cultura Visual da Universidade Federal de Goiás (UFG), mestre em Cultura Visual (UFG) e licenciada em Artes Visuais (UFG). Professora na Faculdade de Artes Visuais da UFG. Tem experiência na área de Artes Visuais pesquisando os seguintes temas: ensino de arte, formação de professores/as, ações educativas em diálogo com poéticas visuais contemporâneas. 

References

BECK, Ana Lúcia. Palavras fora do lugar: Leonilson e a inserção de palavras nas artes visuais, 180 f. Dissertação (Mestrado em Artes Visuais) – Universidade Federal do Rio Grande do Sul, Porto Alegre, 2004. Disponível em: http://hdl.handle.net/10183/77868 Acesso em: 12 ago. 2021.

DIDI-HUBERMAN, G. O que vemos, o que nos olha. Tradução de Paulo Neves. 2. ed. São Paulo: Editora 34, 2010.

FOUCAULT, Michel. As palavras e as coisas. São Paulo: Martins Fontes, 2016.

FOUCAULT, Michel. Isto não é um cachimbo. Rio de Janeiro: Paz e Terra, 1989.

TUAN, Yi-Fu. Espaço e lugar: a perspectiva da experiência. Tradução de Lívia de Oliveira. São Paulo: Difel, 1983. p.260.

Published

2024-06-01

How to Cite

DIAS, Lara Maria de Melo; CABRAL, Valéria Fabiane Braga Ferreira. Words-images-words: a methodological path for teaching art. Revista Apotheke, Florianópolis, v. 10, n. 1, p. 013–035, 2024. DOI: 10.5965/244712671012024013. Disponível em: https://periodicos.udesc.br/index.php/apotheke/article/view/24643. Acesso em: 20 dec. 2024.