The theatrical praxis and its visual roots: Sarah Kane, Maurice Maeterlinck and the Post-Dramatic

Autores

DOI:

https://doi.org/10.5965/1414573104492023e0203In

Palavras-chave:

theatrical praxis, Image, postdramatic theater, theater lighting, design

Resumo

This article discusses probable visual roots for theatrical praxis. I observed derivations originating in the Greek verb théa, as well as in the noun theatron, found in ancient Greece. Starting from this context, I identified theoretical links with Hans-Thies Lehmann, Peter Szondi and Ewald Hackler. Two works of international dramaturgy written at different times were incorporated into the argument, namely: Les Aveugles (1890) and 4.48 Psychosis (2000), whose authors they are, respectively, Maurice Maeterlinck (1862-1949) and Sarah Kane (1971-1999). This approach found excerpts that reveal consistent application of verbal images in the dramaturgical corpus of each of these works. Given this, I suggest academic attention to systematized studies of visual praxis in the theater.

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Biografia do Autor

Eduardo Tudella, Universidade Federal da Bahia

PhD in Performing Arts from the Federal University of Bahia - PPGAC. Master in Theater Design - Lighting - New York University. Bachelor of Performing Arts - Theater Direction from the Federal University of Bahia. Associate Professor at the Federal University of Bahia. Director, Designer and Professor-Researcher. Awarded, both in theoretical and artistic production.

Referências

FUCHS, Elinor. Review postdramatic theatre, TDR: The drama review 52(2): 178–183. Cambridge: Cambridge University Press, 2008.

JURS-MUNBY, Karen. Introduction. In: LEHMANN, H-T. Postdramatic theatre. London: Routledge, 2006. p. 1-15.

HACKLER, Ewald. O teatro pioneiro de Maurice Maeterlinck. (não publicado).

KANE, Sarah. Complete plays. London: Methuen, 2001.

LEHMANN, H. -T. Postdramatic theatre. Translated by Karen Jurs-Munby. London: Routledge, 2006.

MAETERLINCK, M. L’Intruse; Les aveugles. 3rd. Bruxelas: Paul Lacomblez, 1890.

MAETERLINCK, M. The Life of the Bee, translated by Alfred Sutro. New York. 1914. https://www.gutenberg.org/ebooks/4511, 2023, 07, 22.

SZONDI, Peter. Teoria do drama moderno. [1880-1950]. São Paulo: Cosac & Naify. 2011.

THE NOBEL PRIZE IN LITERATURE 1911. NobelPrize.org. Nobel Prize Outreach

AB 2023. Tue. 7 Nov. 2023. https://www.nobelprize.org/prizes/literature/1911/summary/

TUDELLA, Eduardo. Práxis cênica como articulação de visualidade: a luz na gênese do espetáculo. Tese (Doutorado em Artes Cênicas) – Universidade Federal da Bahia, Salvador, 2013.

TUDELLA, Eduardo. A luz na gênese do espetáculo [online]. Salvador: EDUFBA, 2017.

WATSON, Lee. Lighting design handbook. New York: McGraw-Hill, Inc., 1990.

Publicado

2023-12-13

Como Citar

TUDELLA, Eduardo. The theatrical praxis and its visual roots: Sarah Kane, Maurice Maeterlinck and the Post-Dramatic . Urdimento: Revista de Estudos em Artes Cênicas, Florianópolis, v. 4, n. 49, p. 1–26, 2023. DOI: 10.5965/1414573104492023e0203In. Disponível em: https://periodicos.udesc.br/index.php/urdimento/article/view/24805. Acesso em: 20 abr. 2024.