A Voz no Teatro Popular do Nordeste

Authors

  • Rafael Sol Minas Gerais

DOI:

https://doi.org/10.5965/2595034701192018158

Abstract

O artigo contextualiza a voz no Teatro de Mamulengo, e consequentemente a voz no teatro de bonecos enquanto teatro de rua bem como as peculiaridades de tipos e timbres que esta proposta cênica abarca. Trata também de alguns aspectos de sua fusão com outras artes populares que envolvem a voz como meio de expressão. O texto também aponta para a cosmologia do pensamento deste mestre criador, bem como suas singularidades.

Palavras-chave: Voz. Mamulengo. Folguedo. Cultura popular. Folclore.

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Author Biography

  • Rafael Sol, Minas Gerais
    Trabalha com Teatro de Bonecos Popular do Nordeste. Suas referências artísticas vieram de Natal (RN) e da mata norte pernambucana. Aprendeu a brincar com Chico Daniel, Zé de Vina e seus agregados. É membro da Comissão Mineira de Folclore e da Associação de Teatro de Bonecos de Minas Gerais - ATEBEMG. Possui residência em Belo Horizonte e no vilarejo de Campo Alegre, município de Turmalina, um dos berços culturais do Vale do Jequitinhonha.

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Published

2018-11-30

Issue

Vol. 1 No. 19 (2018): Voz e fala no Teatro de Animação

Section

Artigos fora do Dossier Temático

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How to Cite

A Voz no Teatro Popular do Nordeste. Móin-Móin Magazine - Studies in the Art of Puppetry, v. 1, n. 19, p. 158–169, 30 Nov.2018.

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