Teatro de Bonecos Popular do Nordeste: história e histórias

Authors

  • Izabela Brochado Universidade de Brasília – UnB – Brasília

DOI:

https://doi.org/10.5965/2595034701132015028

Abstract

Este artigo aborda alguns aspectos da constituição e da história do Teatro de Bonecos popular do Nordeste – Mamulengo, Babau, João Redondo e Cassimiro Coco–, a partir da análise de fontes orais, principalmente as relativas às narrativas dos bonequeiros; de documentos históricos presentes em arquivos; e, finalmente, de bibliografia especializada. Ele é baseado no Dossiê do Registro do Teatro de Bonecos Popular do
Nordeste, entregue ao IPHAN – Instituto do Patrimônio Histórico e Artístico Nacional em setembro de 2014, como parte da obtenção do título Patrimônio Cultural do Brasil.

Palavras-chave: Teatro de Bonecos popular do Nordeste. História. Narrativas orais.




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Author Biography

  • Izabela Brochado, Universidade de Brasília – UnB – Brasília

    Atriz e diretora, bonequeira, mestre em História pela Universidade de Brasília e doutora em Drama Studies –Trinity College of Dublin. Professora do Departamento de Artes Cênicas da Universidade de Brasília e coordenadora do Grupo de Pesquisa e Extensão Laboratório de Teatro de Formas Animadas – IdA-CEN-UnB.

     

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Published

2018-03-16

Issue

Vol. 1 No. 13 (2015): Memórias do Teatro de Bonecos Brasileiro

Section

Artigos fora do Dossier Temático

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How to Cite

Teatro de Bonecos Popular do Nordeste: história e histórias. Móin-Móin Magazine - Studies in the Art of Puppetry, v. 1, n. 13, p. 028–055, 16 Mar.2018.

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