Diálogos estéticos e contradições políticas da arte pós-colonial
DOI:
https://doi.org/10.5965/1808312904062009250Keywords:
África, contemporaneidade, modernismoAbstract
A partir de autores contemporâneos como Edward Said, Stuart Hall e Rogé Somé, este artigo resume um percurso histórico sobre o processo de colonização do continente africano, salientando as classificações estéticas como formas de negar a cultura, a arte e a sabedoria dos povos das Áfricas e seu reverso nas apropriações das estéticas africanas pelos modernistas, iniciada por Picasso, que deu origem a arte moderna ocidental, e essa contra- dição ainda presente nas políticas culturais contemporâneas.Downloads
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Copyright (c) 2018 Célia Maria Antonacci Ramos
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